- May 17
All Suzuki Violin Book 1 Books explained
- Meghan Faw
- 0 comments
I love the Suzuki method and truly believe it is one of the best ways to learn how to play the violin. However, one of the drawbacks of the method is that it can be extremely difficult to learn without a teacher. This is one of the primary reasons why I created my online Suzuki violin courses. In this post, I'll share the important skills you are learning or reviewing in each piece in Suzuki Book 1.
Twinkle Variations
Parts of the instrument
General instrument care
How to unpack
Proper bow hold
Left hand posture and set up
Bowing from the elbow
Bowing on open E and open A
Placing fingers 1, 2, and 3 down on E and A strings
String crossings
Going from open E to D
Pleasing tone
Twinkle rhythms (saying, clapping, playing)
A Major Scale
Lightly Row:
Smooth bowing
Expanding the use of the bow
String crossings
Recognizing scales and arpeggios
Recognizing repeated notes
Song of the Wind:
Staccato
Leaving one finger down while placing another (m. 3, 5)
Hopping the finger to play perfect fifths (m. 3, 5)
Retake
Go Tell Aunt Rhody:
Use of the whole bow
Smooth bowing
Moving the thumb inside the bow
Fast string crossing between E and D
O Come Little Children
Starting an ending each phrase in the middle of the bow
Starting and ending each phrase up bow
String crossings (using more wrist rather than whole arm)
May Song
Dotted quarter eighth rhythm
String crossings
Dynamics (to play piano, just use less bow)
Keeping the first finger down while playing 3rd finger (m. 2, 10)
Long Long Ago
Smooth bowing
Dynamics
Retaking the bow and landing on a different string (m. 8-9)
Allegro
Martele bowing (quarter notes)
Quick finger motion
Retaking the bow and landing on a different string
Ritardando
Faster playing
Fermata
Perpetual Motion
Using the fourth finger
Staccato
Memory
Endurance
Detache (in the doubles)
Allegretto
Playing on the D string
Short short long bowing (throughout)
Playing on the G string
Andantino
Accents
Unprepared fourth finger (m. 11)
Ritardando
Fermata
Piano as melody
Etude
G Major finger pattern
Low second finger
G Major Scale
String crossings
Staccato
Memory
Endurance
Minuet 1
Up bow staccato
Leaving third finger down while placing 4th finger on higher string (m. 5-6, 13-14, 21-22)
Dynamics
Key change within a piece
Changing placement of 2nd finger within a piece
Minuet 2
String crossings (wrist motion)
String crossing skipping a string
Up bow staccato
Hopping the finger to play a perfect 5th (m. 6-7)
Triplet
Slurs
High 3rd finger
Slur with a string crossing
Dynamics
Minuet 3
Up bow staccato
Slurs
Slurs with string crossings
Planting the seed of the trill (m. 8)
Unprepared 4th finger (m. 17)
Changing keys within a piece
Changing placement of 2nd finger within a piece
Dynamics
Happy Farmer
Starting and ending each phrase in the middle of the bow
Starting and ending each phrase up bow
Bow division
Slurs
Slurs with stops in them (m. 1)
Gavotte
Staccato
Octaves
String crossing that skips a string
Grace notes
High 3rd fingers
Broken thirds
Dynamics
Endurance
Four note slurs
Left hand moving fast, right hand moving slow (m. 20)
Rapidly changing the position of the 2nd finger (m. 20)
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Pizzicato